Exploring the Depths of “The Annihilation of Fish”
In the evocative film “The Annihilation of Fish,” James Earl Jones delivers a powerful performance as Obediah Johnson, affectionately known as Fish. With a presence as grand as his barrel chest and a voice that seems to resonate from the depths of the ocean, Jones brings to life a character that embodies both the nuances of humor and the weight of melancholy. This film marks not only a continuation of Jones’s legacy—previously seen in iconic roles in “Star Wars” and “The Lion King”—but also stands as a testament to filmmaker Charles Burnett, whose poignant storytelling thrives on the fringes of conventional cinema.
It is indeed surprising that “The Annihilation of Fish” is finally receiving a theatrical release 26 years after its initial festival screening. Burnett, a revered figure in American cinema known for his groundbreaking film “Killer of Sheep” (1978), has faced numerous challenges in sharing this fifth feature with the world. The hurdles of marketing truly independent films—those unbound by corporate influences—complement Burnett’s distinctive style that defies easy categorization.
Initially, “The Annihilation of Fish” seems difficult to classify. It oscillates between gentle humor and moments of exuberant chaos, laced with slapstick and speculative whimsy. Underneath, however, flows a deep vein of sadness, complicating its comedic moments. The film invites its audience to laugh, yet at times challenges whether laughter is the appropriate response; the line between humor and discomfort is intentionally blurred.
Written by Anthony C. Winkler, the film follows Fish, a Jamaican immigrant who has spent years in a mental institution battling an invisible demon he names Hank. Early scenes lead to Fish being evicted from his group home after a comical tussle in church. With little more than a suitcase, he embarks on a journey toward Los Angeles, where his true story begins.
Upon arriving in Los Angeles, Fish finds himself in a rundown apartment complex managed by the endearing Mrs. Muldroone, played by Margot Kidder. With all its quirks, the place could serve as a rich backdrop for a story written by Nathanael West or David Lynch. Fish approaches his new surroundings with a mix of hope and pragmatism, transforming his squalid living space into a welcoming home. In this twisted paradise, he encounters Poinsettia, portrayed by Lynn Redgrave.
Poinsettia is a complex figure, introduced with an air of theatricality and flamboyance. She announces her eccentricities proudly, claiming to be in a relationship with the deceased composer Giacomo Puccini. Their eventual meeting leads to an exploration of an extraordinary companionship tinged with isolation; both Fish and Poinsettia seem ensnared in their inner worlds. Their late-night conversations over gin rummy serve as much for comfort as they do for escapism, revealing layered personalities navigating a cruel reality.
Throughout the film, Jones’s portrayal of Fish is captivating. As his narrative unfolds, the tenderness and depth of his character emerge with increasing clarity, revealing a widower trying to piece together new beginnings in the face of past loss. As Fish grows closer to Poinsettia, there’s a palpable shift—his demeanor becomes warmer, his spirit more vibrant.
Contrarily, Redgrave’s Poinsettia can be off-putting at first. Her theatrical antics and exaggerated expressions create a stark contrast to Fish’s reserved nature. Yet her character reveals vulnerabilities that resonate deeply when she sings to “Madama Butterfly,” subsequently ostracized by her audience. This moment encapsulates the film’s essence: characters on the periphery of society, longing for connection yet often left isolated.
Overall, “The Annihilation of Fish” unfolds with subtlety, gradually revealing its emotional weight and intricate relationships. Burnett’s ability to blend the poignant with the humorous creates a compelling narrative about connection and understanding. The film ultimately invites audiences to reflect on the nature of companionship, proving that even in its modesty, it carries profound messages of humanity.
Details
Title: The Annihilation of Fish
Rating: R for adult themes
Duration: 1 hour 48 minutes
Now in theaters.
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